{"id":7657,"date":"2022-12-23T16:53:14","date_gmt":"2022-12-23T16:53:14","guid":{"rendered":"http:\/\/www.louislouis.org\/web\/?page_id=7657"},"modified":"2022-12-23T17:52:36","modified_gmt":"2022-12-23T17:52:36","slug":"lecture-the-eclectic-music-of-garrett-list-from-new-york-postmodernisme-to-the-pousseuryears-of-the-lieges-conservatoire","status":"publish","type":"page","link":"https:\/\/www.louislouis.org\/web\/lecture-the-eclectic-music-of-garrett-list-from-new-york-postmodernisme-to-the-pousseuryears-of-the-lieges-conservatoire","title":{"rendered":"Lecture : The eclectic music of Garrett List from New York Postmodernisme to The Pousseur\u2019years of the Li\u00e8ge\u2019s Conservatoire"},"content":{"rendered":"\n<p>I gave a lecture at the Royal Conservatoire de Li\u00e8ge around Garrett List music and the postmodern composer\u2019s generation  ( Rzewski, Braxton, Lacy)<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.louislouis.org\/web\/wp-content\/uploads\/2022\/12\/image-png-3-420x606.png\" alt=\"\" class=\"wp-image-7658\" width=\"315\" height=\"455\" srcset=\"https:\/\/www.louislouis.org\/web\/wp-content\/uploads\/2022\/12\/image-png-3-420x606.png 420w, https:\/\/www.louislouis.org\/web\/wp-content\/uploads\/2022\/12\/image-png-3-220x317.png 220w, https:\/\/www.louislouis.org\/web\/wp-content\/uploads\/2022\/12\/image-png-3.png 757w\" sizes=\"auto, (max-width: 315px) 100vw, 315px\" \/><\/figure>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p>\u00c0 une \u00e9poque o\u00f9 les nouvelles musiques naissent naturellement hybrides, se replonger dans celle de Garrett List et ses contemporains semble plus que jamais pertinent.&nbsp;Cette conf\u00e9rence autour de la musique du compositeur \u00e9tats-unien \u00e9galement professeur au Conservatoire de Li\u00e8ge, tentera de nous guider \u00e0 travers l\u2019approche musicale de List et sa g\u00e9n\u00e9ration, de sa gen\u00e8se \u00e0 sa transmission.&nbsp;Nous partirons d\u2019abord du New York des ann\u00e9es 70 o\u00f9 les musiciens arriv\u00e9s apr\u00e8s John Cage et le Be-bop (Braxton, Lacy, Rzewski, Bley et List) cherchent une voix nouvelle en m\u00e9langeant le jazz, la musique classique, pop et \u00e9lectronique.&nbsp;Puis \u00e0 Li\u00e8ge dans les ann\u00e9es 80 o\u00f9 le CRLG, refa\u00e7onn\u00e9 par Henri Pousseur, devient un lieu unique en Europe d\u2019exp\u00e9rimentation et d\u2019\u00e9clectisme marquant la musique belge pendant plusieurs g\u00e9n\u00e9rations.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I gave a lecture at the Royal Conservatoire de Li\u00e8ge around Garrett List music and the postmodern composer\u2019s generation ( Rzewski, Braxton, Lacy) &nbsp; \u00c0 une \u00e9poque o\u00f9 les nouvelles&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7657","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.louislouis.org\/web\/wp-json\/wp\/v2\/pages\/7657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.louislouis.org\/web\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.louislouis.org\/web\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.louislouis.org\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.louislouis.org\/web\/wp-json\/wp\/v2\/comments?post=7657"}],"version-history":[{"count":3,"href":"https:\/\/www.louislouis.org\/web\/wp-json\/wp\/v2\/pages\/7657\/revisions"}],"predecessor-version":[{"id":7664,"href":"https:\/\/www.louislouis.org\/web\/wp-json\/wp\/v2\/pages\/7657\/revisions\/7664"}],"wp:attachment":[{"href":"https:\/\/www.louislouis.org\/web\/wp-json\/wp\/v2\/media?parent=7657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}