<\/p>\n
SELECTED INTERVIEWS<\/strong><\/p><\/p>\n\n\n\n REVIEWS & INTERVIEWS<\/em><\/strong><\/p>\n\n\n\n ENGLISH<\/strong>\u00a0\u00a0\u00a0\u00a0 <\/em><\/p>\n\n\n\n FRENCH<\/strong><\/p>\n\n\n\n GERMAN<\/strong><\/p>\n\n\n\n JAPANESE<\/strong><\/p>\n\n\n\n SPANISH\/GALLEGO<\/strong><\/p>\n\n\n\n POLISH<\/strong><\/p>\n\n\n\n DUTCH<\/strong><\/p>\n\n\n\n ITALIAN<\/strong><\/p>\n\n\n\n
![Lib\u00e9ration (Fr) 2023, ClubCopy review (+)<\/a> new!<\/strong><\/em><\/li>Muzzart (Fr) 2023, Clubcopy review (+)<\/a> new!<\/em><\/strong><\/li>La presse de la Manche (Fr) 2023, Clubcopy review (+)<\/a> new!<\/em><\/strong><\/li>Les oreilles curieuses (Fr) 2023, Clubcopy review (+)<\/a> new!<\/em><\/strong><\/li>Jazz around (Bel)<\/a> 2020, Interview (+)<\/a><\/em><\/li>Focus Vif (Bel) 2019, Video Premiere (+)<\/a> <\/em><\/strong><\/li>Le Soir (Bel) 2019, artist presentation (+)<\/a><\/li>Hotel Radio Paris (Fr) 2019, Mix (+)<\/a><\/li>Le Soir (Bel)<\/a> 2019, Cream Parade review <\/a><\/em>(+)<\/a> <\/em><\/strong><\/li>Larsen (Bel) 2019, Cream Parade review (+)<\/a> <\/em><\/strong><\/li>LIBERATION (Fr) 2017, Kermesse M review<\/em> (+)<\/a><\/li>GONZAI (Fr) 2017, video premiere<\/em> (+<\/a>)<\/a><\/li>LYLO (Fr) 2017, Kermesse M review<\/em> (+)<\/a><\/li>RTBF, l\u2019invitation (Bel) 2017, Interview (VIDEO) <\/em>(+)<\/a><\/li>LE FOCUS VIF (Bel) 2017, Interview <\/em>(+)<\/a><\/li>RTBF (Fr) (+)<\/a><\/li><\/ul>\n\n\n\nGERMAN<\/strong><\/p>\n\n\n\nAMPLIFIED (Deu) 2023, Club Copy review (+)<\/a> New!<\/em><\/strong><\/li>PITFIRE (Deu) 2020, Cream P review(+)<\/em><\/a><\/li>CURT (Deu) 2019, Cream Parade review\u00a0<\/em>(+) <\/a>\u00a0 <\/em><\/strong><\/li>SPEX (Deu) 2015, video premiere<\/em> (+)<\/a><\/li><\/ul>\n\n\n\nJAPANESE<\/strong><\/p>\n\n\n\nGIVE ME LITTLE MORE (Jap) (+)<\/a><\/li><\/ul>\n\n\n\nSPANISH\/GALLEGO<\/strong><\/p>\n\n\n\nBEAT VALENCIA (Esp) 2022 Video premiere LVT (+)<\/a><\/li>MUZIKALIA (Esp) 2021, Video premiere LVT (+)<\/a><\/li>RTMB MUSIC (Mexico) 2019, album presentation <\/em>(+)<\/a>\u00a0 <\/em><\/strong><\/li>NOTEDETENGAS (Esp) 2018 <\/em>(+)<\/a><\/li><\/ul>\n\n\n\nPOLISH<\/strong><\/p>\n\n\n\nFYH (Pol) 2019, Cream Parade review (+)<\/a> <\/em><\/strong><\/li>LUPUSUNLEASHED (Pol)<\/a> 2019, Cream Parade review <\/a><\/em>(+)<\/a> <\/em><\/strong><\/li>LABORATORIUM MUZYCZNYCHFUZJ (Pol)<\/a> 2019, Cream Parade review <\/a><\/em>(+)<\/a> <\/em><\/strong><\/li>FYH (Pol) 2017, KM review <\/em>(+)<\/a><\/li>TRZY SZOSTKI (Pol) 2017, KM review <\/em>(+)<\/a><\/li><\/ul>\n\n\n\nDUTCH<\/strong><\/p>\n\n\n\nPVDG’S STUDIO EKZ (Ndl)<\/a> 2019, Cream Parade review <\/a><\/em>(+)<\/a> <\/em><\/strong><\/li>DARK ENTRIES (Ndl)<\/a> 2019, Cream Parade review <\/a><\/em>(+)<\/a> <\/em><\/strong><\/li>HIGH LIFE MAGAZINE (Ndl) <\/a>2019, Cream Parade review<\/a><\/em> (+)<\/a> <\/em><\/strong><\/li>NEW UNDERGROUND MUSIC (Bel) 2019, Cream Parade review <\/em>(+)<\/a> <\/em><\/strong><\/li>MOORS MAGAZINE (Ndl) 2017, KM review <\/em>(+)<\/a><\/li>ROOTSTIME (Ndl) 2017, KM review <\/em>(+)<\/a><\/li>DE SUBJECTIVISTEN (Ndl) 2017, KM review <\/em>(+)<\/a><\/li><\/ul>\n\n\n\nITALIAN<\/strong><\/p>\n\n\n\nKATHODIK 2020, <\/a>Coltan Major Harmonics review<\/a> new!<\/strong><\/em><\/li>RADIOAKTIV 2019, Cream Parade review<\/em><\/a> <\/em><\/strong><\/li>SUFFISOCORE 2019,<\/a> Cream Parade review<\/a><\/em> <\/em><\/strong><\/li><\/ul>\n\n\n\nNORWEGIAN<\/strong><\/p>\n\n\n\nLOKALAVISTA TRYSIL (Nor) 2018, concert review <\/em>(+)<\/a><\/li><\/ul>\n\n\n\nPORTUGUESE<\/strong><\/p>\n\n\n\nA BA7ALHA (Port)<\/a>](\"https:\/\/www.louislouis.org\/web\/wp-content\/uploads\/2023\/09\/liberation.jpeg\"){kind=link}
![ROOTSTIME (Ndl) 2017, KM review <\/em>(+)<\/a><\/li>DE SUBJECTIVISTEN (Ndl) 2017, KM review <\/em>(+)<\/a><\/li><\/ul>\n\n\n\nITALIAN<\/strong><\/p>\n\n\n\nKATHODIK 2020, <\/a>Coltan Major Harmonics review<\/a> new!<\/strong><\/em><\/li>RADIOAKTIV 2019, Cream Parade review<\/em><\/a> <\/em><\/strong><\/li>SUFFISOCORE 2019,<\/a> Cream Parade review<\/a><\/em> <\/em><\/strong><\/li><\/ul>\n\n\n\nNORWEGIAN<\/strong><\/p>\n\n\n\nLOKALAVISTA TRYSIL (Nor) 2018, concert review <\/em>(+)<\/a><\/li><\/ul>\n\n\n\nPORTUGUESE<\/strong><\/p>\n\n\n\nA BA7ALHA (Port)<\/a>](\"https:\/\/www.louislouis.org\/web\/wp-content\/uploads\/2016\/11\/ndl-rootstime.png\"){kind=link}
![DE SUBJECTIVISTEN (Ndl) 2017, KM review <\/em>(+)<\/a><\/li><\/ul>\n\n\n\nITALIAN<\/strong><\/p>\n\n\n\nKATHODIK 2020, <\/a>Coltan Major Harmonics review<\/a> new!<\/strong><\/em><\/li>RADIOAKTIV 2019, Cream Parade review<\/em><\/a> <\/em><\/strong><\/li>SUFFISOCORE 2019,<\/a> Cream Parade review<\/a><\/em> <\/em><\/strong><\/li><\/ul>\n\n\n\nNORWEGIAN<\/strong><\/p>\n\n\n\nLOKALAVISTA TRYSIL (Nor) 2018, concert review <\/em>(+)<\/a><\/li><\/ul>\n\n\n\nPORTUGUESE<\/strong><\/p>\n\n\n\nA BA7ALHA (Port)<\/a>](\"https:\/\/www.louislouis.org\/web\/wp-content\/uploads\/2016\/11\/ndl-de-subjectivisten.png\"){kind=link}